I
The towers of Zenith aspired above the morning mist;
austere towers of steel and cement and limestone, sturdy as cliffs and delicate
as silver rods. They were neither citadels nor churches, but frankly and
beautifully office–buildings.
The mist took pity on the fretted structures of
earlier generations: the Post Office with its shingle–tortured mansard, the red
brick minarets of hulking old houses, factories with stingy and sooted windows,
wooden tenements colored like mud. The city was full of such grotesqueries, but
the clean towers were thrusting them from the business center, and on the
farther hills were shining new houses, homes—they seemed—for laughter and
tranquillity.
Over a concrete bridge fled a limousine of long
sleek hood and noiseless engine. These people in evening clothes were returning
from an all–night rehearsal of a Little Theater play, an artistic adventure
considerably illuminated by champagne. Below the bridge curved a railroad, a
maze of green and crimson lights. The New York Flyer boomed past, and twenty lines
of polished steel leaped into the glare.
In one of the skyscrapers the wires of the
Associated Press were closing down. The telegraph operators wearily raised
their celluloid eye–shades after a night of talking with Paris and Peking.
Through the building crawled the scrubwomen, yawning, their old shoes slapping.
The dawn mist spun away. Cues of men with lunch–boxes clumped toward the
immensity of new factories, sheets of glass and hollow tile, glittering shops
where five thousand men worked beneath one roof, pouring out the honest wares
that would be sold up the Euphrates and across the veldt. The whistles rolled
out in greeting a chorus cheerful as the April dawn; the song of labor in a
city built—it seemed—for giants.
II
There was nothing of the giant in the aspect of the
man who was beginning to awaken on the sleeping–porch of a Dutch Colonial house
in that residential district of Zenith known as Floral Heights.
His name was George F. Babbitt. He was forty–six
years old now, in April, 1920, and he made nothing in particular, neither
butter nor shoes nor poetry, but he was nimble in the calling of selling houses
for more than people could afford to pay.
His large head was pink, his brown hair thin and
dry. His face was babyish in slumber, despite his wrinkles and the red
spectacle–dents on the slopes of his nose. He was not fat but he was
exceedingly well fed; his cheeks were pads, and the unroughened hand which lay
helpless upon the khaki–colored blanket was slightly puffy. He seemed
prosperous, extremely married and unromantic; and altogether unromantic
appeared this sleeping–porch, which looked on one sizable elm, two respectable
grass–plots, a cement driveway, and a corrugated iron garage. Yet Babbitt was
again dreaming of the fairy child, a dream more romantic than scarlet pagodas
by a silver sea.
For years the fairy child had come to him. Where
others saw but Georgie Babbitt, she discerned gallant youth. She waited for
him, in the darkness beyond mysterious groves. When at last he could slip away
from the crowded house he darted to her. His wife, his clamoring friends,
sought to follow, but he escaped, the girl fleet beside him, and they crouched
together on a shadowy hillside. She was so slim, so white, so eager! She cried
that he was gay and valiant, that she would wait for him, that they would sail—
Rumble and bang of the milk–truck.
Babbitt moaned; turned over; struggled back toward
his dream. He could see only her face now, beyond misty waters. The furnace–man
slammed the basement door. A dog barked in the next yard. As Babbitt sank
blissfully into a dim warm tide, the paper–carrier went by whistling, and the
rolled–up Advocate thumped the front door. Babbitt roused, his stomach
constricted with alarm. As he relaxed, he was pierced by the familiar and
irritating rattle of some one cranking a Ford: snap–ah–ah, snap–ah–ah,
snap–ah–ah. Himself a pious motorist, Babbitt cranked with the unseen driver,
with him waited through taut hours for the roar of the starting engine, with
him agonized as the roar ceased and again began the infernal patient
snap–ah–ah—a round, flat sound, a shivering cold–morning sound, a sound
infuriating and inescapable. Not till the rising voice of the motor told him
that the Ford was moving was he released from the panting tension. He glanced
once at his favorite tree, elm twigs against the gold patina of sky, and
fumbled for sleep as for a drug. He who had been a boy very credulous of life
was no longer greatly interested in the possible and improbable adventures of
each new day.
He escaped from reality till the alarm–clock rang,
at seven–twenty.
III
It was the best of nationally advertised and
quantitatively produced alarm–clocks, with all modern attachments, including
cathedral chime, intermittent alarm, and a phosphorescent dial. Babbitt was
proud of being awakened by such a rich device. Socially it was almost as
creditable as buying expensive cord tires.
He sulkily admitted now that there was no more
escape, but he lay and detested the grind of the real–estate business, and
disliked his family, and disliked himself for disliking them. The evening before,
he had played poker at Vergil Gunch's till midnight, and after such holidays he
was irritable before breakfast. It may have been the tremendous home–brewed
beer of the prohibition–era and the cigars to which that beer enticed him; it
may have been resentment of return from this fine, bold man–world to a
restricted region of wives and stenographers, and of suggestions not to smoke
so much.
From the bedroom beside the sleeping–porch, his
wife's detestably cheerful "Time to get up, Georgie boy," and the itchy
sound, the brisk and scratchy sound, of combing hairs out of a stiff brush.
He grunted; he dragged his thick legs, in faded
baby–blue pajamas, from under the khaki blanket; he sat on the edge of the cot,
running his fingers through his wild hair, while his plump feet mechanically
felt for his slippers. He looked regretfully at the blanket—forever a
suggestion to him of freedom and heroism. He had bought it for a camping trip
which had never come off. It symbolized gorgeous loafing, gorgeous cursing, virile
flannel shirts.
He creaked to his feet, groaning at the waves of
pain which passed behind his eyeballs. Though he waited for their scorching
recurrence, he looked blurrily out at the yard. It delighted him, as always; it
was the neat yard of a successful business man of Zenith, that is, it was
perfection, and made him also perfect. He regarded the corrugated iron garage.
For the three–hundred–and–sixty–fifth time in a year he reflected, "No
class to that tin shack. Have to build me a frame garage. But by golly it's the
only thing on the place that isn't up–to–date!" While he stared he thought
of a community garage for his acreage development, Glen Oriole. He stopped
puffing and jiggling. His arms were akimbo. His petulant, sleep–swollen face
was set in harder lines. He suddenly seemed capable, an official, a man to
contrive, to direct, to get things done.
On the vigor of his idea he was carried down the
hard, dean, unused–looking hall into the bathroom.
Though the house was not large it had, like all houses
on Floral Heights, an altogether royal bathroom of porcelain and glazed tile
and metal sleek as silver. The towel–rack was a rod of clear glass set in
nickel. The tub was long enough for a Prussian Guard, and above the set bowl
was a sensational exhibit of tooth–brush holder, shaving–brush holder,
soap–dish, sponge–dish, and medicine–cabinet, so glittering and so ingenious
that they resembled an electrical instrument–board. But the Babbitt whose god
was Modern Appliances was not pleased. The air of the bathroom was thick with
the smell of a heathen toothpaste. "Verona been at it again! 'Stead of
sticking to Lilidol, like I've re–peat–ed–ly asked her, she's gone and gotten
some confounded stinkum stuff that makes you sick!"
The bath–mat was wrinkled and the floor was wet.
(His daughter Verona eccentrically took baths in the morning, now and then.) He
slipped on the mat, and slid against the tub. He said "Damn!"
Furiously he snatched up his tube of shaving–cream, furiously he lathered, with
a belligerent slapping of the unctuous brush, furiously he raked his plump
cheeks with a safety–razor. It pulled. The blade was dull. He said,
"Damn—oh—oh—damn it!"
He hunted through the medicine–cabinet for a packet
of new razor–blades (reflecting, as invariably, "Be cheaper to buy one of
these dinguses and strop your own blades,") and when he discovered the
packet, behind the round box of bicarbonate of soda, he thought ill of his wife
for putting it there and very well of himself for not saying "Damn."
But he did say it, immediately afterward, when with wet and soap–slippery
fingers he tried to remove the horrible little envelope and crisp clinging
oiled paper from the new blade. Then there was the problem, oft–pondered, never
solved, of what to do with the old blade, which might imperil the fingers of
his young. As usual, he tossed it on top of the medicine–cabinet, with a mental
note that some day he must remove the fifty or sixty other blades that were
also temporarily, piled up there. He finished his shaving in a growing
testiness increased by his spinning headache and by the emptiness in his
stomach. When he was done, his round face smooth and streamy and his eyes
stinging from soapy water, he reached for a towel. The family towels were wet,
wet and clammy and vile, all of them wet, he found, as he blindly snatched
them—his own face–towel, his wife's, Verona's, Ted's, Tinka's, and the lone
bath–towel with the huge welt of initial. Then George F. Babbitt did a
dismaying thing. He wiped his face on the guest–towel! It was a
pansy–embroidered trifle which always hung there to indicate that the Babbitts
were in the best Floral Heights society. No one had ever used it. No guest had
ever dared to. Guests secretively took a corner of the nearest regular towel.
He was raging, "By golly, here they go and use
up all the towels, every doggone one of 'em, and they use 'em and get 'em all
wet and sopping, and never put out a dry one for me—of course, I'm the
goat!—and then I want one and—I'm the only person in the doggone house that's
got the slightest doggone bit of consideration for other people and
thoughtfulness and consider there may be others that may want to use the
doggone bathroom after me and consider—"
He was pitching the chill abominations into the
bath–tub, pleased by the vindictiveness of that desolate flapping sound; and in
the midst his wife serenely trotted in, observed serenely, "Why Georgie
dear, what are you doing? Are you going to wash out the towels? Why, you
needn't wash out the towels. Oh, Georgie, you didn't go and use the
guest–towel, did you?"
It is not recorded that he was able to answer.
For the first time in weeks he was sufficiently
roused by his wife to look at her.
IV
Myra Babbitt—Mrs. George F. Babbitt—was definitely
mature. She had creases from the corners of her mouth to the bottom of her
chin, and her plump neck bagged. But the thing that marked her as having passed
the line was that she no longer had reticences before her husband, and no
longer worried about not having reticences. She was in a petticoat now, and
corsets which bulged, and unaware of being seen in bulgy corsets. She had
become so dully habituated to married life that in her full matronliness she
was as sexless as an anemic nun. She was a good woman, a kind woman, a diligent
woman, but no one, save perhaps Tinka her ten–year–old, was at all interested
in her or entirely aware that she was alive.
After a rather thorough discussion of all the
domestic and social aspects of towels she apologized to Babbitt for his having
an alcoholic headache; and he recovered enough to endure the search for a
B.V.D. undershirt which had, he pointed out, malevolently been concealed among
his clean pajamas.
He was fairly amiable in the conference on the brown
suit.
"What do you think, Myra?" He pawed at the
clothes hunched on a chair in their bedroom, while she moved about mysteriously
adjusting and patting her petticoat and, to his jaundiced eye, never seeming to
get on with her dressing. "How about it? Shall I wear the brown suit
another day?"
"Well, it looks awfully nice on you."
"I know, but gosh, it needs pressing."
"That's so. Perhaps it does."
"It certainly could stand being pressed, all
right."
"Yes, perhaps it wouldn't hurt it to be
pressed."
"But gee, the coat doesn't need pressing. No
sense in having the whole darn suit pressed, when the coat doesn't need
it."
"That's so."
"But the pants certainly need it, all right.
Look at them—look at those wrinkles—the pants certainly do need pressing."
"That's so. Oh, Georgie, why couldn't you wear
the brown coat with the blue trousers we were wondering what we'd do with
them?"
"Good Lord! Did you ever in all my life know me
to wear the coat of one suit and the pants of another? What do you think I am?
A busted bookkeeper?"
"Well, why don't you put on the dark gray suit
to–day, and stop in at the tailor and leave the brown trousers?"
"Well, they certainly need—Now where the devil
is that gray suit? Oh, yes, here we are."
He was able to get through the other crises of
dressing with comparative resoluteness and calm.
His first adornment was the sleeveless dimity B.V.D.
undershirt, in which he resembled a small boy humorlessly wearing a cheesecloth
tabard at a civic pageant. He never put on B.V.D.'s without thanking the God of
Progress that he didn't wear tight, long, old–fashioned undergarments, like his
father–in–law and partner, Henry Thompson. His second embellishment was combing
and slicking back his hair. It gave him a tremendous forehead, arching up two
inches beyond the former hair–line. But most wonder–working of all was the
donning of his spectacles.
There is character in spectacles—the pretentious
tortoiseshell, the meek pince–nez of the school teacher, the twisted silver–framed
glasses of the old villager. Babbitt's spectacles had huge, circular, frameless
lenses of the very best glass; the ear–pieces were thin bars of gold. In them
he was the modern business man; one who gave orders to clerks and drove a car
and played occasional golf and was scholarly in regard to Salesmanship. His
head suddenly appeared not babyish but weighty, and you noted his heavy, blunt
nose, his straight mouth and thick, long upper lip, his chin overfleshy but
strong; with respect you beheld him put on the rest of his uniform as a Solid
Citizen.
The gray suit was well cut, well made, and
completely undistinguished. It was a standard suit. White piping on the V of
the vest added a flavor of law and learning. His shoes were black laced boots,
good boots, honest boots, standard boots, extraordinarily uninteresting boots.
The only frivolity was in his purple knitted scarf. With considerable comment
on the matter to Mrs. Babbitt (who, acrobatically fastening the back of her
blouse to her skirt with a safety–pin, did not hear a word he said), he chose
between the purple scarf and a tapestry effect with stringless brown harps
among blown palms, and into it he thrust a snake–head pin with opal eyes.
A sensational event was changing from the brown suit
to the gray the contents of his pockets. He was earnest about these objects.
They were of eternal importance, like baseball or the Republican Party. They
included a fountain pen and a silver pencil (always lacking a supply of new
leads) which belonged in the righthand upper vest pocket. Without them he would
have felt naked. On his watch–chain were a gold penknife, silver cigar–cutter,
seven keys (the use of two of which he had forgotten), and incidentally a good
watch. Depending from the chain was a large, yellowish elk's–tooth–proclamation
of his membership in the Brotherly and Protective Order of Elks. Most
significant of all was his loose–leaf pocket note–book, that modern and
efficient note–book which contained the addresses of people whom he had forgotten,
prudent memoranda of postal money–orders which had reached their destinations
months ago, stamps which had lost their mucilage, clippings of verses by T.
Cholmondeley Frink and of the newspaper editorials from which Babbitt got his
opinions and his polysyllables, notes to be sure and do things which he did not
intend to do, and one curious inscription—D.S.S. D.M.Y.P.D.F.
But he had no cigarette–case. No one had ever
happened to give him one, so he hadn't the habit, and people who carried
cigarette–cases he regarded as effeminate.
Last, he stuck in his lapel the Boosters' Club
button. With the conciseness of great art the button displayed two words:
"Boosters–Pep!" It made Babbitt feel loyal and important. It
associated him with Good Fellows, with men who were nice and human, and
important in business circles. It was his V.C., his Legion of Honor ribbon, his
Phi Beta Kappa key.
With the subtleties of dressing ran other complex
worries. "I feel kind of punk this morning," he said. "I think I
had too much dinner last evening. You oughtn't to serve those heavy banana
fritters."
"But you asked me to have some."
"I know, but—I tell you, when a fellow gets
past forty he has to look after his digestion. There's a lot of fellows that
don't take proper care of themselves. I tell you at forty a man's a fool or his
doctor—I mean, his own doctor. Folks don't give enough attention to this matter
of dieting. Now I think—Course a man ought to have a good meal after the day's
work, but it would be a good thing for both of us if we took lighter
lunches."
"But Georgie, here at home I always do have a
light lunch."
"Mean to imply I make a hog of myself, eating
down–town? Yes, sure! You'd have a swell time if you had to eat the truck that
new steward hands out to us at the Athletic Club! But I certainly do feel out
of sorts, this morning. Funny, got a pain down here on the left side—but no,
that wouldn't be appendicitis, would it? Last night, when I was driving over to
Verg Gunch's, I felt a pain in my stomach, too. Right here it was—kind of a
sharp shooting pain. I—Where'd that dime go to? Why don't you serve more prunes
at breakfast? Of course I eat an apple every evening—an apple a day keeps the
doctor away—but still, you ought to have more prunes, and not all these fancy
doodads."
"The last time I had prunes you didn't eat
them."
"Well, I didn't feel like eating 'em, I
suppose. Matter of fact, I think I did eat some of 'em. Anyway—I tell you it's
mighty important to—I was saying to Verg Gunch, just last evening, most people
don't take sufficient care of their diges—"
"Shall we have the Gunches for our dinner, next
week?"
"Why sure; you bet."
"Now see here, George: I want you to put on
your nice dinner–jacket that evening."
"Rats! The rest of 'em won't want to
dress."
"Of course they will. You remember when you
didn't dress for the Littlefields' supper–party, and all the rest did, and how
embarrassed you were."
"Embarrassed, hell! I wasn't embarrassed.
Everybody knows I can put on as expensive a Tux. as anybody else, and I should worry
if I don't happen to have it on sometimes. All a darn nuisance, anyway. All
right for a woman, that stays around the house all the time, but when a
fellow's worked like the dickens all day, he doesn't want to go and hustle his
head off getting into the soup–and–fish for a lot of folks that he's seen in
just reg'lar ordinary clothes that same day."
"You know you enjoy being seen in one. The
other evening you admitted you were glad I'd insisted on your dressing. You
said you felt a lot better for it. And oh, Georgie, I do wish you wouldn't say
'Tux.' It's 'dinner–jacket.'"
"Rats, what's the odds?"
"Well, it's what all the nice folks say.
Suppose Lucile McKelvey heard you calling it a 'Tux.'"
"Well, that's all right now! Lucile McKelvey
can't pull anything on me! Her folks are common as mud, even if her husband and
her dad are millionaires! I suppose you're trying to rub in your exalted social
position! Well, let me tell you that your revered paternal ancestor, Henry T.,
doesn't even call it a 'Tux.'! He calls it a 'bobtail jacket for a ringtail
monkey,' and you couldn't get him into one unless you chloroformed him!"
"Now don't be horrid, George."
"Well, I don't want to be horrid, but Lord!
you're getting as fussy as Verona. Ever since she got out of college she's been
too rambunctious to live with—doesn't know what she wants—well, I know what she
wants!—all she wants is to marry a millionaire, and live in Europe, and hold
some preacher's hand, and simultaneously at the same time stay right here in
Zenith and be some blooming kind of a socialist agitator or boss charity–worker
or some damn thing! Lord, and Ted is just as bad! He wants to go to college,
and he doesn't want to go to college. Only one of the three that knows her own
mind is Tinka. Simply can't understand how I ever came to have a pair of
shillyshallying children like Rone and Ted. I may not be any Rockefeller or
James J. Shakespeare, but I certainly do know my own mind, and I do keep right
on plugging along in the office and—Do you know the latest? Far as I can figure
out, Ted's new bee is he'd like to be a movie actor and—And here I've told him
a hundred times, if he'll go to college and law–school and make good, I'll set
him up in business and—Verona just exactly as bad. Doesn't know what she wants.
Well, well, come on! Aren't you ready yet? The girl rang the bell three minutes
ago."
V
Before he followed his wife, Babbitt stood at the
westernmost window of their room. This residential settlement, Floral Heights,
was on a rise; and though the center of the city was three miles away—Zenith
had between three and four hundred thousand inhabitants now—he could see the
top of the Second National Tower, an Indiana limestone building of thirty–five
stories.
Its shining walls rose against April sky to a simple
cornice like a streak of white fire. Integrity was in the tower, and decision.
It bore its strength lightly as a tall soldier. As Babbitt stared, the
nervousness was soothed from his face, his slack chin lifted in reverence. All
he articulated was "That's one lovely sight!" but he was inspired by
the rhythm of the city; his love of it renewed. He beheld the tower as a
temple–spire of the religion of business, a faith passionate, exalted, surpassing
common men; and as he clumped down to breakfast he whistled the ballad
"Oh, by gee, by gosh, by jingo" as though it were a hymn melancholy
and noble.
to be continued...
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